Yasuhiro Asai
Light that shines through time
I got the universe.
The twinkle of stars seems to fall from the endless pitch black darkness.
Each of the stars is filled with rich colors and emits a never-ending sparkle.
That's what I thought the moment I held Asai's mother-of-pearl work in my hands.
The light that comes from the pitch black space that seems to suck you in is the expression of Asai's honed technique.
Just like the light from the stars that illuminates us today across light years of time and space, they are also a pulsating light, a bundle of lacquer art techniques that have been passed down from the past.
At the same time, by turning the shell pieces into mother-of-pearl, the brilliance of each individual life is preserved forever in the lustrous texture of the lacquer.
Asai says. He says that the techniques he has cultivated are ``borrowed'' from his predecessors who left their mark on the long history of lacquer art. In order to make full use of the ``borrowed'' item, he attaches his own body to it, entrusts it to it, and sends it out into the world with expressions that reflect the times and his own sensibilities.
``Borrowed things'' must be returned someday. We must pass ourselves through and pass it on to the future. Therefore, it was "borrowed" until then.
There is no fixed design motif or theme.
Lacquer does not exist as a means of self-expression, but rather exists to deliver the beauty of lacquer to the world and to the future.
Growing lacquer from trees and making tools. Mastering the material, honing the technique of makie raden, and choosing the appropriate expression.
Then, we capture the moment when the lacquer shines the most and connect it forever.
All we do is to share the beauty of lacquer with as many people as possible.
However, even in this act that seems to erase oneself, something certain oozes out.
It is an exquisite nuance unique to Asai that combines delicacy and elegance, gorgeousness and fragility that are common to Asai's works.
My encounter with Soda Zaiku, my lacquer art teacher from high school, who recognized my talent and helped me develop it. All of the many turning points led Asai to become a lacquer artist.
Now, Asai stands in the midst of a torrent of Japanese culture.
Look at your position and what you need to do.
Beyond the original intention, a different, yet certain, view of lacquer art unfolds.
B-OWND
The twinkle of stars seems to fall from the endless pitch black darkness.
Each of the stars is filled with rich colors and emits a never-ending sparkle.
That's what I thought the moment I held Asai's mother-of-pearl work in my hands.
The light that comes from the pitch black space that seems to suck you in is the expression of Asai's honed technique.
Just like the light from the stars that illuminates us today across light years of time and space, they are also a pulsating light, a bundle of lacquer art techniques that have been passed down from the past.
At the same time, by turning the shell pieces into mother-of-pearl, the brilliance of each individual life is preserved forever in the lustrous texture of the lacquer.
Asai says. He says that the techniques he has cultivated are ``borrowed'' from his predecessors who left their mark on the long history of lacquer art. In order to make full use of the ``borrowed'' item, he attaches his own body to it, entrusts it to it, and sends it out into the world with expressions that reflect the times and his own sensibilities.
``Borrowed things'' must be returned someday. We must pass ourselves through and pass it on to the future. Therefore, it was "borrowed" until then.
There is no fixed design motif or theme.
Lacquer does not exist as a means of self-expression, but rather exists to deliver the beauty of lacquer to the world and to the future.
Growing lacquer from trees and making tools. Mastering the material, honing the technique of makie raden, and choosing the appropriate expression.
Then, we capture the moment when the lacquer shines the most and connect it forever.
All we do is to share the beauty of lacquer with as many people as possible.
However, even in this act that seems to erase oneself, something certain oozes out.
It is an exquisite nuance unique to Asai that combines delicacy and elegance, gorgeousness and fragility that are common to Asai's works.
My encounter with Soda Zaiku, my lacquer art teacher from high school, who recognized my talent and helped me develop it. All of the many turning points led Asai to become a lacquer artist.
Now, Asai stands in the midst of a torrent of Japanese culture.
Look at your position and what you need to do.
Beyond the original intention, a different, yet certain, view of lacquer art unfolds.
B-OWND
















Yasuhiro Asai
- 1983 | Born in Tottori Prefecture
- 2004 | Graduated from National University of Toyama, Takaoka Junior College, Lacquer Crafts Course
- 2005 | Studied under Kazumi Murose (holder of important intangible cultural property)
個展
- 2019
- Seizan Gallery TOKYO Convex Opening Exhibition
- 2017
- Seibu Ikebukuro Main Store “Around the Light”
グループ展
- 2019
- Takashimaya “Premonition of Beauty 2019―∞directions―”
- 2019
- Tottori Prefectural Museum “Our Collections! ~The past and future of Tottori Prefecture’s art collections~”
- 2018
- URUSHI Tradition and Innovation
- 2018
- ART EXPO MALAYSIA 2018 Gallery Hanakage Sho Booth
- 2018
- Nihonbashi Mitsukoshi Main Store “Current status of lacquer”
- 2018
- CRAFT SAKE WEEK “Shukiya”
- 2018
- Ambiente 2018 (Germany) Kyoto Zuihodo booth
- 2015
- Shangri-La Hotel Tokyo Nikolai Bergman x Traditional Crafts “Traditional Flower Legend”
- 2015
- Azumino Takahashi Setsuro Memorial Museum of Art “Urushi Mirai”
受賞歴
- 2018 | Energia Culture and Sports Foundation Energia Art Award
- 2017
- 57th East Japan Traditional Crafts Exhibition “Encouragement Award”
- 2015
- 32nd Japanese Traditional Lacquer Art Exhibition “Agency for Cultural Affairs Commissioner Award”
- 2012
- 59th Japanese Traditional Crafts Exhibition “Newcomer Award”
- 2012
- Japanese Traditional Crafts China Branch Exhibition “Encouragement Award”
- 2008
- Japanese Traditional Crafts Chugoku Branch Exhibition “Prefectural Governor Award”
- 2008
- Tottori Prefecture Art Exhibition “Encouragement Award”
- 2007
- Tottori Prefecture Art Exhibition “Encouragement Award”
- 2005
- Tottori Prefecture Art Exhibition “Encouragement Award”
- 2004 | University of Toyama Takaoka Junior College “Yokoyama Prize”
- 2002
- Japan Lacquerware Association “Lacquerwork Scholarship Award”
