Takashi Wakamiya
A messenger to revive Japanese spirituality
What stands out about lacquer artist Wakamiya's work is the metaphor of advanced spirituality. Wakamiya says he thinks this way. For a long period of time, until civilization acquired scientific power, nature appeared in human life as something that was almost uncontrollable, whether it was a blessing or a disaster. It is a tool for people to overcome the uncontrollable events that occur in their lives. For example, faith was something that gave us the wisdom to live better.
However, with the rise and progress of science, the arrogant illusion that everything can be controlled by human will is spreading. Respect for life and nature, including humans, has been lost, and faith, which provides the wisdom to live a better life, has disappeared from daily life.
However, in reality, no matter how much science advances, humans cannot escape the hardships of birth, old age, illness, and death, and we are still nearly powerless in the face of the threats of nature. What Wakamiya is trying to do is to reconstruct and present in the form of lacquer crafts the ``wisdom for living a better life'' that people once cherished. Wakamiya believes that a well-honed design will lead people's consciousness and gaze to the world that the ancients perceived, and at the same time bring it back into the lives of modern people.
Another true value of Wakamiya's work lies in the integration of the highest level of technical ability. The ``Hikoju Makie'' he leads is an artisan group of 20 lacquer specialists. Many more craftsmen are engaged in the production of wood. The work requires overwhelming technical ability in every step of the process.
However, in general, the division of the process into the hands of craftsmen with the highest level of skill poses a dilemma, as it becomes a barrier to achieving conceptual freedom for the craft work. In ``Hikoju Makie,'' Wakamiya shows the creative path as an artist and gains the freedom of concept for the work by winning the trust of the craftsmen as the mastermind. This teamwork of creativity and technical ability will show the craft world the ideal image of a craftsman.
B-OWND
However, with the rise and progress of science, the arrogant illusion that everything can be controlled by human will is spreading. Respect for life and nature, including humans, has been lost, and faith, which provides the wisdom to live a better life, has disappeared from daily life.
However, in reality, no matter how much science advances, humans cannot escape the hardships of birth, old age, illness, and death, and we are still nearly powerless in the face of the threats of nature. What Wakamiya is trying to do is to reconstruct and present in the form of lacquer crafts the ``wisdom for living a better life'' that people once cherished. Wakamiya believes that a well-honed design will lead people's consciousness and gaze to the world that the ancients perceived, and at the same time bring it back into the lives of modern people.
Another true value of Wakamiya's work lies in the integration of the highest level of technical ability. The ``Hikoju Makie'' he leads is an artisan group of 20 lacquer specialists. Many more craftsmen are engaged in the production of wood. The work requires overwhelming technical ability in every step of the process.
However, in general, the division of the process into the hands of craftsmen with the highest level of skill poses a dilemma, as it becomes a barrier to achieving conceptual freedom for the craft work. In ``Hikoju Makie,'' Wakamiya shows the creative path as an artist and gains the freedom of concept for the work by winning the trust of the craftsmen as the mastermind. This teamwork of creativity and technical ability will show the craft world the ideal image of a craftsman.
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Takashi Wakamiya
- 1964 | Born in Wajima City, Ishikawa Prefecture
- 2001: The same work is exhibited at the National Museum of Ethnology in Hamburg.
- 2001
- <Antlefish-shaped tea caddy> selected as a tea ceremony utensil at the Dahlem Museum in Germany
- 2002: Served as the 30th president of the Wajima Lacquerware Youth Association
- 2004: Started publishing under the name “Hikoju Makie”
- 2005
- <Bronze bell type, heavy incense, bronze bell, Mugen bell> is stored in the Rucker Museum in Germany
- 2006
- <White kanyu lacquer matcha bowl Fuji> is stored in the Lacquer Museum in Germany
- 2007
- <Lacquerware frame, Rokujo no Miyasudokoro> is stored in the Victoria and Albert Museum in the UK.
- 2008
- Workshop held at Asian Art in London
- 2010
- Participated in the production of a pagoda in Chiang Rai, Thailand
- 2014
- Bahrain National Museum
- 2018
- Submitted to “Urushi Friends of the World Exhibition ~ Dr. Monika Kopplin Director Retirement Memorial Exhibition”
個展
- 2017
- Hikoju Makie/Takashi Wakamiya Exhibition ~Featuring Miu Komatsu
- 2016
- Taiwan Taipei City Commissioner's Art Bunshalong "Hikoju Makie Takashi Wakamiya Art Exhibition Contemporary Japanese Makie Lacquer Art Exhibition"
- 2016
- Hong Kong University Museum of Fine Arts “The Art of Takashi Wakamiya – Contemporary Japanese Makie” Exhibition
- 2013
- Hikoju Makie Takashi Wakamiya “Playful Makie” Exhibition
グループ展
- 2018
- “Fusion of Crafts” - Discovering the Traditional Ashita
- 2018
- Museum fur Lackkunst, Münster, Germany
- 2016
- “Fusion of Crafts” - A story about a hermit crab on a journey.
- 2015
- Bamboo Crafts Tanabe Kochiku x Hikoju Makie “Kukai and Mt. Koya 1200 Years” Collaboration Exhibition
- 2015
- Arita Yakihayama Yuki x Hikoju Makie Exhibition “Beauty of Life” Collaboration Exhibition
- 2015
- Wajima Lacquer Art Museum “The World of Lacquer and Ghosts: From Darkness to Uruwashiya” Exhibition
- 2015
- REVALUE NIPPON PROJECT “CHARITY GALA 2015 with GUCCI”
- 2015 | Ukraine Khanenko National Museum “Maki-e and Netsuke” Exhibition
- 2014 | "Makie" Exhibition "Fusion of Crafts" - The future of crafts that lead to encounters -
- 2013
- “Jakuchu from the Price Collection” Exhibition Kotake Tanabe x Hikoju Makie
- 2010
- Japanese Embassy London “Cllacqueratuon” Exhibition
- 2008 | “Hikoju Makie Exhibition” at London Gallery 27 (exhibited every year from 2008)
- 2008
- Exhibition “Kyoka Suigetsu: Lost in the Darkness of Kyoka Izumi” held at Gallery Tsubameka Annex
- 2005
- Group exhibition held at Pola Museum Ginza
アートフェア
- 2018
- Hong Kong International Antique Fair Exhibition
- 2017
- Hong Kong International Antique Fair Special Japanese Lacquer Art Exhibition
入選、その他
- 2014
- In 2014, he was appointed as a Cultural Envoy by the Agency for Cultural Affairs and exhibited his works and gave lectures in England, France, and China.
- 2014
- “Rhinoceros offering box” won the grand prize at the International Lacquer Exhibition
