Gentaro Yokoyama
Pop pottery
Yokoyama's work, which he discovered while studying abroad in the United States, does not have a ``Japanese pottery feel'' in a good sense. This is due to the fact that he has been working on his creations in an educational environment that fosters his creativity, rather than the beauty and accuracy of his creations.
The emphasis was on expressions that ``only you can do.''
There was a demand for unexpected, original works that no one had seen before.
In this way, Yokoyama has naturally created works with a strong artistic quality while using ceramic materials.
Yokoyama's work is characterized by smooth surfaces, bright colors, patterns such as polka dots and stripes, and unexpected combinations of shape and color.
These pieces not only show the relationship Yokoyama has built with ceramics, but also reflect his humor and cheerfulness as a person. The gentle desire to please and make those who view the work happy forms an aura that floats around the work. And this brings about some positive change for the viewer.
What does it take for a work to continue to be loved by people?
While pursuing this theme, Yokoyama came up with the idea of adding ``movement'' to the work.
fire, waves, and trees. People are interested in things that move naturally.
Even though pottery may seem static at first glance, movement is hidden somewhere.
Even in traditional crafts, dynamic elements such as splitting, cracking, and dripping can be seen.
However, what Yokoyama is looking for is definitely not the ``movement'' of ``ceramics.''
A shape that makes you imagine elasticity, a stem that looks like it's walking, and polka dots that give you a sense of rhythm. Through expressions that sometimes follow gravity and sometimes seem to go against it, Yokoyama's works create a ``movement'' that is not typical of ceramic art.
For Yokoyama, who says his works are like his children, it is most important for each work to be loved for a long time in its own place. It is an expression for that purpose, and works exist for people.
How much happiness can you make people with one piece of work?
Today, Yokoyama continues to come up with works that bring happiness to someone while being close to their daily life.
B-OWND
The emphasis was on expressions that ``only you can do.''
There was a demand for unexpected, original works that no one had seen before.
In this way, Yokoyama has naturally created works with a strong artistic quality while using ceramic materials.
Yokoyama's work is characterized by smooth surfaces, bright colors, patterns such as polka dots and stripes, and unexpected combinations of shape and color.
These pieces not only show the relationship Yokoyama has built with ceramics, but also reflect his humor and cheerfulness as a person. The gentle desire to please and make those who view the work happy forms an aura that floats around the work. And this brings about some positive change for the viewer.
What does it take for a work to continue to be loved by people?
While pursuing this theme, Yokoyama came up with the idea of adding ``movement'' to the work.
fire, waves, and trees. People are interested in things that move naturally.
Even though pottery may seem static at first glance, movement is hidden somewhere.
Even in traditional crafts, dynamic elements such as splitting, cracking, and dripping can be seen.
However, what Yokoyama is looking for is definitely not the ``movement'' of ``ceramics.''
A shape that makes you imagine elasticity, a stem that looks like it's walking, and polka dots that give you a sense of rhythm. Through expressions that sometimes follow gravity and sometimes seem to go against it, Yokoyama's works create a ``movement'' that is not typical of ceramic art.
For Yokoyama, who says his works are like his children, it is most important for each work to be loved for a long time in its own place. It is an expression for that purpose, and works exist for people.
How much happiness can you make people with one piece of work?
Today, Yokoyama continues to come up with works that bring happiness to someone while being close to their daily life.
B-OWND
















Gentaro Yokoyama
- 1978 | Born in Tokyo
- 1993
- Entered Hartford College of Art
- 2002: Returned to Japan and worked at a pottery factory
- 2004: Set up an atelier in Monzennakacho
- 2017
- Became a member of “The TEA-ROOM,” an art group that explores the state of modern tea ceremony.
個展
- 2017
- [POP YOU ARE 2017] Gallery Sankaibi
- 2016
- [TEA YOU] SHUHALLY Yokohama
- 2016
- [BUSAN ART FAIR] Merciel Busan South Korea
- 2015
- [GENTCERAMICS EXHIBITION] Ginza Mitsukoshi
- 2015
- [GENTMUSEUM2015] Gallery Sankaibi
- 2015
- [WHITE OUT] Roppongi Hills Museum Shop
- 2015
- [GENTCERAMICS WONDERLAND] KOGEI Matsukichi
- 2014
- [now Monzennakacho] Gallery MITATE
- 2012
- 【GENTCERAMICS EXHIBITION 2012】ap gallery
- 2011
- [gentfactory]・Valbeat81
- 2011
- 【I love candy】・MITATE
- 2009
- BAtoM Exhibition] Shinjuku Lumine est
- 2009
- [Asobi Exhibition]・Omotesando Hills Destination Tokyo
- 2009
- [Toy Box]・MITATE ROOMS
- 2008
- [GENT MUSEUM]・Motoazabu Gallery Kofu
- 2008
- 【THE GOLD】・COM Gallery
- 2007
- 【UP and DOWN】・COM Gallery
- 2006
- [GENTCERAMICS 2006 SUMMER]・Iwasaki Museum
- 2006
- [SOLIDLIQUID]・COM Gallery
- 2005
- [Bastard] Wildenstein Tokyo
- 2004
- Wildenstein Tokyo
グループ展
- 2016
- Two-person exhibition [Contemporary Ceramics] JPF Gallery Sydney
- 2016
- [MPD CERAMICS] MDP GALLERY
- 2015
- [IKEYAN] Roppongi Hills AD Gallery
- 2015
- [Un Dîner chez moi] Merciel Busan South Korea
- 2014
- [IKEYAN] Roppongi Hills AD Gallery
- 2013
- [Yin and Yang of Ceramics] Matsukichi Kanazawa
- 2013
- [IKEYAN] Roppongi Hills AD Gallery
- 2012
- [IKEYAN] Roppongi Hills AD Gallery
- 2010
- [Dance on the Table] Ono Art Gallery
- 2010
- [THE PARK WEST ART SHOW] Isetan Shinjuku Store
- 2009
- [Winter Gift] Nishiazabu Gallery MITATE
- 2009
- [Tachiyoshi Collaboration] Shinjuku Isetan
- 2009
- [Create by hand] (traveling exhibition), Hanae Mori Building
- 2009 | [Let's live together]・ H O T E L C L A S K A
- 2009
- [Create by hand] Art Tower Mito
- 2005
- [Early Summer Bowl] Daimaru Department Store Tokyo Main Store
展示会
- 2017
- [TOKYO CANAL LINKS#7] Warehouse Terada
- 2008
- GYRE Building Dune Larte
- 2007
- [MILK “MORE”] Hanae Mori Building Open Gallery
- 2001
- Selected for the 100 Teapot Exhibition in Maryland, USA Graduation Exhibition at the University of Hartford, USA
入選、その他
- 2006
- Participated in Soen 70th anniversary event
- 2003
- Selected for the 22nd Echizen Ceramic Art Festival Unique Pottery Exhibition 2003
