Under the theme of ``cartoons with weight,'' Miyashita has created three-dimensional works that incorporate the image of American cartoon animation, expressing a unique worldview. Up until now, I have been experimenting with a sculptural approach that involves dismantling and reconstructing ready-made toys while using ceramic as a material.

Miyashita returned to the act of ``watching'' animation again. The origin of animation is to create a series of images by rotating a pot, making them appear to move. Each scene is drawn with consideration to the curves and height of the vase, guiding the viewer's gaze in various ways. By rotating it in multiple directions, the entire picture is finally revealed, but the view changes depending on the angle, giving it a painterly feel.

The psychedelic colors create an absurd story that unfolds, and their ``gradation'' suggests the ambiguity of various boundaries, such as the state between consciousness and unconsciousness, the distinction between painting and animation, and the causes of good and evil.

This work depicts unrelated creatures such as a cat, a mouse, a devil, and a red dragon, giving the image of a chaotic hell. The devil is inspired by the paintings of William Blake, a British poet and painter who expressed his unique world.